Titles:
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27o 28′ 4″ S (Reflections on Brisbane) parts 7-8, 24, 11, 14-16, 13, Blast 12 (Spring / Summer 2010). Brisbane, Australia’s river city. Observations and reminiscences.
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Say History, WestWard Quarterly (Summer 2010). A tribute to Nan, who could always be relied upon to tell you to say, ‘History’.
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A Singleton’s Diary: Hamilton, New Zealand, swim meet lit mag #2 (Autumn 2022). In which a dog is observed and the poet turns introspective.
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Sonnet for Someone, Someday Night, Provoke Journal 3 (21 January 2017). A night out on the town brings light to life’s darkness.
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Sorry, I’ll Wear That Again, Fish Fingers and Custard 10 (June 2012). In which Matt Smith’s coat is compared to Graeme Garden’s and found to be identical. Can nobody else see this?
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Star Bright, The Germ 1 (Spring 2013). In which Richard Dawkins is eclipsed by his more famous wife.
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Surfers Paradise Sourpuss, The Alarmist 1 (‘The Holy Book’) (2012). Putting the beach in perspective.
![](https://www.jacobedwards.id.au/wp-content/uploads/2019/06/Tall_and_short_of_it.jpg)
The Tall and the Short of It, Windmills 5 (2010). History, as painted by Pablo Picasso.
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Through Rose-Coloured Cloud, Dot Dot Dash 7 (Sacred) (Winter 2011). The future, as filtered through children’s television in the 80s.
Internal Illustration: Nicole Hobby.
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Travelling Love Show, Windmills 11 (‘The Love Issue’) (May 2013). In which a roadside motel with a fake palm tree on its roof is found huddling beneath several real palm trees.
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Tweet It, Hawai’i Pacific Review 27 (2013). In which Michael Jackson’s Beat It is revisited for the benefit of twitwits.
![](https://www.jacobedwards.id.au/wp-content/uploads/2019/06/Retweet-It.jpg)
(Re)Tweet It, Perceptions (2013). Same song, different lyrics.
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Twenty-Somethings’ Notional Anthem, Windmills 3 (‘The Red Issue’) (December 2009). Evening falls, and the restless generation of young Australians advances for a spot of chair-throwing.